There is a division in the opera profession between singers who are free-lance and those on full or part-time contract to particular companies. Whereas the free-lance can pick and choose between r├┤les and companies, the contract singer is expected to perform ΓÇ£as castΓÇ¥ by the company. The benefits of this way of life are a predictable income and a more controllable home life. The more sensible opera managements will look after their contract singers as the life-blood of the company, giving them time for engagements elsewhere, and treasuring the feeling of identity that a good home team ensemble can bring to performances. They will also help nurture the contract singerΓÇÖs career, with careful and progressive casting, and helpful coaching schedules.
